EDUCATION

Rhode Island School of Design, Providence R.I.   
New York University, New York, NY;   B.S. cum laude in fine arts
Hunter College, New York, NY; M.A.; Fine Arts, painting concentration
Pace University, Advanced Certificate  in Art Education.


ADDITIONAL

Lincoln Center Institute for the Arts, New York, NY
School of Visual Arts, New York, NY; Portfolio Development Program
New York University Artist Apprentice Program; H.N. Han artist mentor
New York University Graduate Extension Program; Don Eddy artist mentor

Aspects and Ambiguities of Contemporary Realism, Thesis (M.A.)--City University of New York Hunter College, 1984. Originally published: New York (N.Y.) : City University of New York, Hunter College, 1984. Interview with Chuck Close annotated in appendix.

      

SELECTED EXHIBITIONS

​SOLO SHOWS

2015 Martin Stankiewicz Gallery, Tarrytown NY
2009 Hennesey House, Tarrytown NY
2005 Fitzgerald Gallery, Tarrytown NY
2003 Fitzgerald Gallery, Tarrytown NY
1996 Scarborough Gallery, Chappaqua NY This week in Westchester, Sunday NY Times, Feb. 18, 1996
1995 Fitzgerald Gallery, Tarrytown NY Our Town: Things to see Gannett Newspapers

1993 Scarborough Gallery, Chappaqua NY

1986 Inroads Gallery, New York NY
1984 Inroads Gallery, New York NY
1982 Broome St. Gallery, New York NY

GROUP SHOWS

​​2016-17 Edward Hopper House Art Center, Small Matters of Great Importance: PAPER+ART

 Annual Juried Small Works Show.  Juror: Michelle Donnelly, Curatorial Fellow at the Whitney Museum of American Art.

2016 Ceres Gallery, 12th Annual Juried Exhibition, New York, NY.  Juror Carmen del Valle Hermo Assistant Curator for       Collections at the Solomon R. Guggenheim Museum, NY.
Press:   Facebook Visual Arts Events NY/L.I. 

2005 Red Wing Gallery, Tarrytown NY

1999 Pelham Art Center, Pelham NY

1984 Inroads Gallery, New York NY. Gallery artists
1986 Inroads Gallery, New York NY.Gallery artists
1983 Hunter College Gallery, New York NY

1981 Organization of Independent Artists, New York NY

1980 Brooklyn Federal Courthouse, Brooklyn NY.
1977 Washington Square East Galleries, New York NY
1975 Rhode Island School of Design


ARTIST REGISTRIES

​​http://www.thepaintingcenter.org/art-file  (and registry)
http://www.hvcca.org/artist/
http://www.katonahmuseum.org/artist-association/
https://artswestchester.org/artists/directory/visual/
http://www.edwardhopperhouse.org/artist-member-gallery


TEACHING EXPERIENCE

1992-PRESENT

Art Workshops, Extension Programs & Art Education for children and adults.

Pelham Art Ceneter

Continuing Education;  Portchester, Hastings, Irvington, Dobbs Ferry, Scarsdale

Westchester Public Library Systems

Public Schools, tenured: 1999-present

Curriculum Design, Project Development, Interdisciplinary Curricula, Grant Writing, Differentiation for Special Needs

Art Appreciation:  Historical and Muliticultural

     ​The objects that catch this light can be in immediate sight or in one’s mind’s eye. For years I have been taking photographic notes that serve as a collective library of imagery to draw upon when creating paintings. The light always has this extraordinary way of changing the reality of what I am photographing, always suggesting transformation and a sense of an extended moment in time. When we look at the world we see what is in front of us, but we also make connections from a lifetimes’ worth of visual memories. So when I work, I am looking to de-trivialize the scene before me by weaving together images from sometimes completely different original sources—a medieval church and a dilapidated railroad bridge, a row of vacation cottages and peacock feathers. Sometimes it is the same place with multiple perspectives intertwined. The synthesis of images may be subtly woven together or presented as an open dialogue as in a diptych. This conversation between imagery is at the center of my work. 
     Though I operate out of an American Realist tradition, I also draw upon aesthetic inventions from Surrealism and Pop Art—all artists who also represent the ordinary in extraordinary ways. As a result my influences are eclectic, running the gamut from Vermeer to Hopper to Ernst to Rosenquist. The majority of my work is done in water-based media, both acrylics and water colors or a mixture of both.  I create small maquettes by collaging actual photos or drawing from the photos.  Eventually the painted composites become a larger work on canvas or paper.  

Artist's Statement

Transformative Light and the Collective Memory

Venice/Canal St., acrylic on canvas, 44 x 68"

Susan Barrett